
NOL Ticket crashes as 100,000 fans vied for just 15,000 seats.
BTS Gwanghwamun Concert Tickets Sell Out in Minutes
Seoul braces for up to 260,000 fans near Gyeongbokgung Palace as the band's first full-group appearance in four years forces the city to rethink its public infrastructure overnight.
- All 15,000 seats for BTS The Comeback Live: Arirang were claimed within minutes of reservations opening on Feb. 23, with over 100,000 simultaneous logins crashing the NOL Ticket platform.
- Authorities plan to convert Gwanghwamun Square into a "virtual stadium" with viewing screens and 29 designated entry points to manage an anticipated crowd of 260,000.
- The free concert, tied to the band's fifth album Arirang and a global Netflix livestream, has forced multiple Seoul cultural institutions to suspend their regular programming.
Seoul's digital ticketing infrastructure buckled on the evening of Feb. 23 when BTS fans attempted to secure free seats for the group's comeback concert at Gwanghwamun Square. NOL Ticket, the designated reservation platform, recorded more than 100,000 simultaneous logins within minutes of the 8 p.m. opening, triggering system crashes and stranding tens of thousands in extended digital queues.
The 15,000 officially available seats for the March 21 event were gone almost immediately. But the real logistical problem lies beyond the ticketed audience. Seoul city officials now estimate that up to 260,000 people, a mix of domestic fans and international visitors, will converge near Gyeongbokgung Palace on performance night.
A "Virtual Stadium" for BTS in Central Seoul
The scale of the expected turnout has pushed the Seoul Metropolitan Police Agency into large-scale crowd management mode. Gwanghwamun Square, the open civic space facing the palace, will function as a "virtual stadium." Authorities plan to install large viewing screens across the area and channel foot traffic through 29 designated entry points.
Heavy disruption to traffic and public transit is expected, particularly at metro stations around the square. Police have also been cracking down during the ticketing window itself, removing online postings advertising illegal proxy purchases and scalped reservations.
BTS Comeback 2026: The Full Unit Returns After Four Years
The one-hour live performance is tied to the March 20 release of Arirang, BTS' fifth studio album. The 14-track record covers themes of identity, longing, and love. More significantly for the group's global fanbase, this is BTS' first appearance as a complete seven-member act in nearly four years, following the completion of mandatory military service by all members. Suga, the last to serve, finished his duties in mid-2025.
For fans who can't travel to Seoul, Netflix will livestream the concert across more than 190 countries. The city also plans to host additional screenings and fan events at nearby venues to absorb overflow demand.
BTS isn't the only major K-pop act eyeing Seoul's most prominent public spaces. Blackpink recently tapped into similar high-profile locations for its own promotional activities, suggesting a broader pattern among top-tier groups leveraging the capital's landmarks for comeback events.
BTS’ "Cultural Return" Resets Several Schedules
The concert's footprint extends well beyond the square. Several institutions near Gwanghwamun have altered their schedules to accommodate the event's security perimeter and crowd logistics. The National Museum of Korean Contemporary History will close entirely on March 21. The Sejong Center for the Performing Arts has already canceled the musical "Anna Karenina" at its Grand Theater and the play "The Wasp" at its S Theater, with decisions still pending on the Seoul Metropolitan Ballet's "Bliss & Jakie" and an exhibition at the Sejong Museum of Art.
Organizers are now processing refunds for affected events. The disruptions amount to a measurable opportunity cost for Seoul's broader cultural calendar: venue revenue, audience access, and programming continuity have all been subordinated to the logistics of a single concert. While BTS commands global attention, the local audiences who had tickets to other performances are left waiting.

Author
Diya Mukherjee is a Content Writer at Outlook Respawn with a postgraduate background in media. She has a passion for writing content and is enthusiastic about exploring cultures, literature, global affairs, and pop culture.
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