Jackson Wang in Lollapalooza

Jackson Wang's Mumbai show proved India is ready for more

Fan Meets to Festivals: India is on its Way for a K-Pop Super Tour

The digital hype for groups like BTS and BLACKPINK is colossal. Here’s what it will take to finally bring them to the Indian stage.

11 OCT 2025, 10:36 AM

Highlights

  • India's massive online K-pop fanbase is a major, untapped market for large-scale concert tours.
  • Smaller events like fan meets and festivals have successfully proven the market's financial viability.
  • Despite challenges, major K-pop tours are now seen as an inevitable future for the Indian market.

A big question hangs over the Indian music scene. Online, India is a K-pop superpower, with millions of fans streaming albums, trending hashtags, and driving a booming market for Korean culture. But the world’s biggest K-pop groups, like BTS and BLACKPINK, have never held a major concert here. 

This gap between colossal digital hype and the absence of a landmark tour fuels a multi-million-dollar question from Seoul to Mumbai: Is India the K-pop industry’s greatest untapped market, or a mirage where online passion doesn't translate into on-ground profit? 

The answer is complex, but growing evidence suggests the market is on the verge of a breakthrough. 

A Digital Empire Built by Fans

India’s love affair with the Hallyu wave has created a powerful digital nation. With millions of Indians actively engaging with K-pop content, the country is one of the world’s most vibrant fanbases. This audience is young (primarily 18-22), overwhelmingly female, and geographically diverse, spreading from metros like Mumbai and Delhi to emerging tier-2 cities like Ahmedabad. 

This immense potential has not gone unnoticed by industry giants. Recognising the market's scale, HYBE, the agency behind BTS, stated, “With nearly 185 million users, India’s music streaming market is the second largest in the world, making it an ideal market for our growth strategy.” 

While major K-pop releases frequently debut at the top of mainstream charts, they signify concentrated market power. The fiercely loyal core fanbase centres on global supergroups like BTS, BLACKPINK, SEVENTEEN, and Stray Kids, providing a clear focus for promoters. 

Paving the Way: A History of K-Pop Events in India

The journey to making India a viable tour stop has been built on years of smaller, strategic events that tested the market's appetite.

Pioneering Concerts: In 2019, groups like KARD, VAV, and the IN2IT & AleXa joint show held some of the first ticketed solo concerts in cities like Delhi, Mumbai, and Guwahati. With accessible ticket prices ranging from ₹1000 to ₹1200, these shows served as an important, low-risk market trial.

The Fan Meet Model: Fan meets proved to be a crucial strategy. Kim Woojin's 2023 'The Moment' Tour in Delhi perfectly illustrated this, with tickets tiered by access. A standard ticket was around ₹1,500, while premium tiers offering a hi-touch or a group photo could go up to ₹5,500. This model allows agencies to directly monetise the fan's desire for personal interaction.

Cinematic Breakthrough: A major milestone came in 2022 with the cinema screening of BTS’s “Permission to Dance on Stage – Seoul”, which drew over 18,148 ticket buyers and grossed an estimated ₹1.6 crore. This success confirmed the market's readiness for paid, high-quality experiences.

Major Festival Headliners: The scale grew with appearances at major music festivals. Jackson Wang (GOT7) headlined Lollapalooza India in 2023, where day passes started around ₹8,999. In October 2024, Suho (EXO) and Hyolyn headlined the K-Wave Festival, signalling that K-pop artists were now major draws for large-scale events.

2025 K-Town 3.0: A New Era for K-Pop Festivals in India

The upcoming K-Town 3.0 Festival represents the biggest and most ambitious multi-artist K-pop event in India to date, signalling a new level of confidence from promoters like Pinkbox Entertainment. Building on the success of its previous editions, which helped establish a dedicated festival brand for Indian K-pop fans, the third instalment marks a major leap in scale and ambition. 

The lineup itself speaks volumes about the festival's ambition. It features legendary "second-generation" artists like Taemin of SHINee and Super Junior D&E, who are revered figures in K-pop history with massive global followings. Their inclusion targets not just new fans but also long-time followers of the Hallyu wave. 

Rounding out the diverse musical lineup are celebrated soloist Bang Yedam and rock band Onewe, moving beyond typical idol group performances.

The event promises a full-day immersive experience at Inorbit Mall in Malad, Mumbai, on Saturday, November 1, 2025. Starting from 11:00 AM onwards, the venue will transform into a hub of Korean culture with K-food stalls, official merchandise booths, and various fan engagement activities, making it more than just a concert. Tickets for this unique festival experience start from ₹3,250.

K-Town 3.0

District

The Ground Reality: Logistical and Financial Hurdles

Despite the clear appetite, hosting large-scale K-pop concerts in India faces significant hurdles. The country’s concert infrastructure is still developing, as world-class arenas are scarce, often forcing large concerts into cricket stadiums that lack ideal acoustics. 

Organisers must also grapple with multi-layered permissions and logistical issues. Financially, attracting top-tier K-pop acts requires a considerable investment. With a young, value-conscious audience, sustaining ticket prices above Rs 10,000, often necessary for a profitable stadium show, poses a risk.

The Path Forward: A Future Set in Motion

India's live entertainment market was valued at over ₹10,100 crore in 2024 and is projected to exceed ₹16,700 crore by 2027. K-pop concerts, with their proven monetisation strategies from concerts, fan meets, and merchandise, are set to be a significant contributor to this growth. 

The path forward will likely involve tailored “tiered experience” models, combining premium VIP packages with affordable general admission tickets. K-pop concerts in India are no longer a hopeful vision but an emerging reality. The question is no longer “if” they can thrive here, but “when” and “who” will finally capture this promising market. 

Krishna Goswami

Krishna Goswami

Author

Krishna Goswami is a content writer at Outlook India, where she delves into the vibrant worlds of pop culture, gaming, and esports. A graduate of the Indian Institute of Mass Communication (IIMC) with a PG Diploma in English Journalism, she brings a strong journalistic foundation to her work. Her prior newsroom experience equips her to deliver sharp, insightful, and engaging content on the latest trends in the digital world.

Published At: 11 OCT 2025, 10:37 AM