BTS members, RM, Jin, Suga, J-hope, V, Jimin and Jungkook, stand hand-in-hand on stage during a live performance at Gwanghwamun Square in Seoul, facing a huge crowd of fans holding glowing light sticks at night, with blue stage lighting and a large digital backdrop behind them.

BTS performs at Gwanghwamun Square, drawing thousands of global fans.

BTS Draws In Over 19,000 Overseas Fans At Arirang Gwanghwamun Show

Data reveals that over thousands from India, Thailand, and Japan had arrived in Central Seoul to see BTS live, amidst the group’s UK chart success.

29 MAR 2026, 08:00 AM
  • With visitors from countries like Thailand, Vietnam, India, and Japan, the BTS live concert at Gwanghwamun Square was an amalgamation of several cultures.
  • According to industry reports, foreigners accounted for about 25% of the total audience share.
  • The data revelation occurs amidst the group’s heightened chart activity as Arirang tops the UK market.

BTS has reconquered its market position this week, along with its historic chart runs, and a massive promotional schedule that highlights the group's global appeal. The release of their latest album Arirang, marked the first full-group activity for members RM, Jin, Suga, J-hope, Jimin, V, and Jung Kook since 2022 and their obligatory military duty hiatus. The market response to their comeback was immediate, marking record sales of over 4 million copies within the first ten minutes of its launch. 

Platforms like Spotify and Apple Music also ranked BTS’ Arirang in their top 20, with lead track Swim officially topping the rankings of the United Kingdom as well. Notably, as per the Official Charts Company Data cited by Reuters on March 27, 2026, Arirang achieved the peak UK Albums chart ⁠as well as the Vinyl Albums chart. On the other hand, Swim hit No. 1 on the UK Singles chart. The group's UK success mirrors its top-tier appearances in Australia and Germany, showcasing its top performance for the first time in a few years

BTS Gwanghwamun Concert: Global Crowd Surge Data 

BTS formally returned with a concert on March 21 at Gwanghwamun in Central Seoul, transforming the entire city into a high-density hub of global activity. While the police authorities made preparations with rigid downtown safety measures for a crowd of 260,000, revised city base station data revealed the attendance number was significantly lower. Reportedly, 75,927 people were present at the Gwanghwamun Square on the day, showcasing a major rise from the city’s initial projection of 48,000.

BTS: RM, Jin, SUGA, J-Hope, V, Jimin and Jungkook in Seoul's Gwanghwamun concert

Image Credit: BTS/Netflix

The data, however, depicted a striking demographic shift in BTS' "home" audience. According to reports from the Korea Times and Yonhap, overseas audiences accounted for roughly 25% of these people, totaling at 19,170. As per the industry observers, a significant portion of these overseas individuals were short-term tourists, but about 13,898 people stayed for a longer period. Notably, these numbers also counted international students living in South Korea. Based on the revealed data, the highest concentrations of attendees came from Asian countries like Thailand (1,740), Vietnam (1,184), India (1,126), and Japan (1,098).

Audience hauling around BTS Gwanghwamun concert stage (on right). Screen Captured from BTS Netflix Live.

Audience hauling around BTS Gwanghwamun concert stage (on right). Screen Captured from BTS Netflix Live.

Hybrid Live Streaming Model via Netflix Drives 18.4M Global Viewers

The hour-long show, which leveraged a hybrid digital-live model, has become a highlight of the K-pop sector's export strategy. Webcasted globally through Netflix, BTS' Gwanghwamun live drew 18.4M viewers. This metric further pushed the live performance to rank at No.1 in 24 nations out of 80, where it was listed on the streaming platform's weekly Top 10.

Such an engagement scale reflects a wider increase in the global music market that is growing steadily. As BTS prepares to launch a world tour next month, the Arirang comeback is acting as an example for the industry, which is trying to convert digital streaming dominance into sustained, physical international demand, while creating an integrated ecosystem.

Diya Mukherjee

Diya Mukherjee

Author

Diya Mukherjee is a Content Writer at Outlook Respawn with a postgraduate background in media. She has a passion for writing content and is enthusiastic about exploring cultures, literature, global affairs, and pop culture.

Published At: 29 MAR 2026, 08:00 AM