
History is made as Rosé at BRIT Awards 2026.
BRIT Awards 2026 Win Marks Major U.K. Milestone for Rosé
Rosé becomes the first K-pop artist to win a BRIT Award, marking a historic U.K. breakthrough for the genre.
- Rosé became the first K-pop singer to win a BRIT Award, solidifying K-pop’s presence in the U.K. mainstream market.
- APT. earned global chart success with multiple Billboard rankings and 2.06 billion subscription streams globally.
- Rosé’s success highlights K-pop's rapid global expansion, supported by rising international streaming and global music earnings.
BLACKPINK member Rosé became the first K-pop artist to win a BRIT Award, winning International Song of the Year for her global hit APT. The ceremony, held in Manchester's Co-op Live Arena, one of the most prominent stages in the United Kingdom, marked a watershed moment for the K-pop industry.
The collaborative October 2024 song featuring Bruno Mars has become one of the major cross-continental successes of the past two years. APT. peaked at number two on the UK Official Singles Chart Top 100, where it lasted for more than a year.
BLACKPINK Rosé Makes BRIT Awards History
Rosé, in her winning speech, appreciated and professionally recognized her BLACKPINK bandmates and long-time producer Teddy of The Black Label. Her achievement comes after many historic nominations for Korean acts at the BRIT Awards, including BTS (2021-22), BLACKPINK (2023), and Peggy Gou (2024), none of which resulted in wins until now. Additionally, KPop Demon Hunters was also nominated for the BRIT Awards, and gave an explosive performance with Golden in the awards show, showcasing its U.K. market dominance, following its BAFTA act.
Rosé BRIT Awards 2026 Milestone Further Highlighted by US Market Success
Beyond the BRIT Awards, APT. has also changed chart storylines in the U.S since late 2024. The song spent 45 weeks on the Billboard Hot 100 in the United States, the longest run ever for a K-pop hit, reaching its highest at No. 3. It also spent several weeks at No. 1 on Billboard's Global 200 and Global Excl.-U.S. charts, proving the BLACKPINK member's success as a K-pop soloist worldwide. In addition to her Rosé's BRIT Awards 2026 milestone, she reached new heights with her group BLACKPINK. Notably, their latest album, DEADLINE, sold 1.46 million copies on its debut day, marking the group's first collective venture in over three years.
BLACKPINK Rosé Historic Achievement Shows K-pop’s Expansion
Rosé's breakthrough is consistent with broader market data indicating increased global demand for K-pop and Korean music; based on Luminate data, Korean music was the fourth most-streamed genre internationally in 2025. This accomplishment is consistent with a larger industry expansion outlined in International Federation of the Phonographic Industry (IFPI)’s Global Music Report 2025, which showcased that global recorded-music revenues climbed 4.8% to $29.6 billion USD. Interestingly, this figure illustrated a rise driven by ongoing streaming growth and increased revenues in leading economies.
Therefore, in this period of increased cross-border listening, APT. evolved as a landmark commercial hit, driving revenue and streaming growth. The song gathered 2.06 billion subscription-stream equivalents around the world, earning the title of best-selling global single in 2025 from the IFPI. By ranking first amongst other artists, Rosé set the record for an artist from outside North America or Europe to achieve this milestone.
APT. further cemented its domination by leading Apple Music's global year-end list with more than 2 billion streams. All these achievements collectively showcase K-pop's growing global reach, especially as South Korea ranked fourth in international streaming exports during 2025.
Olivia Dean Wins BRIT Awards 2026 Alongside Rosé
Amongst all BRIT Awards 2026 winners, performers such as Olivia Dean won important categories at the BRIT Awards 2026, while cross-border blockbusters like APT. showcased the BRITs' expanding worldwide scope. This shows that Rosé's victory was not an odd event, but rather a reflection of fundamental change which illustrates that global pop is now placed in a shared economic arena where Korean singers compete, and win, on the same criteria as their Western peers.

Author
Diya Mukherjee is a Content Writer at Outlook Respawn with a postgraduate background in media. She has a passion for writing content and is enthusiastic about exploring cultures, literature, global affairs, and pop culture.
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